Opinion: Don’t sleep on Fashawn

The Fresno’s own King has dropped another album called “All Hail the King” fully produced by Sir Veterano. This a new project and it sort of came out of nowhere. I picked this one up in the same manner, I picked up “Boy Meets World”. Ironically, both was distributed through The Orchard/Sony Music and released independently.

Now, Fashawn is on the Fresh Yard Records. He has gone away from the record label of Nas Mass Appeal. That was a short stint and “The Ecology” was really the only real project dropped on there and “Manna” if it was released there. It didn’t really matter in the grand schemes of things.

Fashawn did more with the collaboration with Murs “This Generation” than with the last project. It is positive that his dropping independently and on a Cali label. His going home and it’s looking fresh for him.

It is the fun boom-bap with a bang. There isn’t a moment of silence or hectic mess. The new album got 9 bangers and they are hard hitting. It is like the return and we all should just salute the King. This is what Fashawn needed and his proven his skills over the years.

It is hard to know why the “Boy Meets World” and “The Ecology” didn’t hit up the charts. The rapper should have gotten more than tokens of respect. Fashawn, the F should be put higher. I felt he was the underdog and Kendrick Lamar got all the glory. The dropped the same time and he got under the radar.

Fashawn should get credit. He got the skills and the ability to poetically craft a song. On this album he has the steady beats and the production behind him too. I wish he had a bigger label and a more solid distribution. He should have been a major force and not for the ones who knows about him already.

Fashawn is a King in his own right. He deserves the throne and has the bag of work too. It is not like his some son-of-gun with no skills or finesse. No, this man has the capabilities and should be recognized. I am just sad that the deals and record industry isn’t giving him his dues. It is good that the Fresh Yard Records has signed him.

Santiago should be crowned, but not by like me. He should be in the main act at the Madison Square Garden and such. Tours with him as the act to see and the ones who gets internationally known. His name should shine and now his back to where he was years ago.

Fresno’s F deserves so much more. This album, which was released recently should be blasted. Songs played on radio and put on playlists on Spotify/Tidal etc. Fashawn is slept on and it’s about time that changes. Peace.

‘The Ecology’ VS ‘To Pimp A Butterfly’ – Underrated VS Cultural Icon

fashlamar

It isn’t often I discuss music. Today I got to. Not because Kendrick Lamar dropped a new ‘Control’ verse. This post will be about Kendrick Lamar and Fashawn. Because them both have released albums recently…

First and foremost, I have liked them both as artist K-Dot and Fashawn. Listen to their mixtapes like Section#80 and Higher Learning. Also their great projects like ‘Boys Meets World’ and ‘Good Kid M.A.A.D. City’.

Second there happen a lot over the years. I don’t listen to as much of the dropped music. So this will be more my view of it. The recent lousy projects I have listened to were Kid Inks album and Tygas random project with Chris Brown. They we’re so boring… that I gave up them both after two listening. Let me tell you. I will listen to K.Dots and Fashawns albums for so long. They are both good projects. Still I have some feelings about them.

‘The Ecology’

Let me tell you. The style of Fashawn is so old-school way. Therefore Boys Meets World is like a Boom Bap paradise. The new album is up to day. You can feel the different producers of the tracks. That he has used time to build this one up. The only boring track Confess… is a weak ass of a song. That he wants to tell he is the best man a woman can get. Let me tell you Fashawn is better to explain how he feels about his past and his glories. The way that he lyrically can address the Fresno issues… That’s when he got you blasting the tracks into a blaze. I feel he is so underrated therefore I address him first.

‘To Pimp a Butterfly’

Now let me address Kendrick and his album. This one has been discussed and addressed by all the pundits between the moon and where there is no lights burning. So for me to go wild here would be unnecessary. Let’s say it doesn’t have the same amount of big hits as the first major release. He kind of follows the preaching society issues from Section#80 and the #HighPower agenda. Which is a good thing considering this form a Markie and major artist which is coming from TDE/Aftermath and not some indie label who gets 10K sold over 100 months. So this will be listened to and also make mark on the culture. He got a bigger reach then Fashawn. His star power is gigantic. Therefore he is now addressing that as well as social circumstances. Which is refreshing, he switches between flows and genres so that the listening experience isn’t boring and it grows on you. Get better with multiple listens.

Discussion:  

Fashawn I dig his album and it will be on rotation for a god damn long time. The Same will happen with K.Dot. They are both good. But as a hip hop head. I prefer Fashawn even if he don’t have as many flows and storytelling ways. I keeps it more to formula. That’s why until recently I listened mostly to DJ Premier and Royce Da 5’9” with ‘Phryme’. I am that kind of guy. I know that a few of you now expect KRS and the Juice Crew to jump into the screen and dance for you. If not BDP to drop another classic! Well, I am sorry that will not happen. Unless you’re drinking… or smoking some of Snoops righteous spliffs.

And at this point K.Dot can nearly drop any kind of project and be praised. Fashawn can do whatever and be under the radar. Nobody would mind. Therefore I have to root for the underdog. Not to undervalue the progress and the stature of K.Dot, but somebody has to love and enjoy the records of Fashawn. He has also prospered but in a slow way from the indie release until being signed by Nas.

I just wished that Fashawn would have a bigger crowed and honored the way he deserve. The same goes to Killer Mike and all the other lyricists that hasn’t gone platinum. But they gone another direction and doesn’t also ways max out. Nevertheless, as long as they drop quality product, people like me will pick it up and even pay for it.

Big up for K.Dot or Kendrick Lamar who has made it. And dropping great music. Its well deserved!

While I am talking music, where is Mos Def hiding?

Peace.

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